Sunday, May 26, 2013

Angel in Pink

Last August, I lost my dear grandmother a week after she suffered a sudden stroke.On this memorial day weekend I am remembering her, and the delicate rosy glow with which she emanated her love. 

Her life was a sermon on meekness. Working and serving, with quiet grace and constant purpose. She remembered every birthday, and attended every important milestone in her children, grandchildren, and great grand children's lives. I had the privilege of sharing some of my memories of her, at her funeral service. I recently found the card in which I recorded my memorial to her. The front image on the card captured so much of her, that it brought a wistful smile to my face. She lived without blinders, but with rose colored lenses to life. She radiated a sweet special warmth. The colors seemed to encapsulate that same soft glow. Inside the card, I had written:

"Let your light so shine before men that they may see your good works and glorify your father which is in Heaven." -Matthew 5:16, KJV Holy Bible

My grandmother recognized the profound impact of developing and dedicating her God given talents to uplift others. Playing the piano, quilting, teaching, and serving. She was constantly abounding in good works. Recognizing that the small and simple efforts of service and support are the very acts, when performed with consistency, which save souls. 

For me her aging arthritis crippled hands were a token of her talents and works. She never allowed weakness to hinder or diminish her light. To me, she was a living example to not allow my own mortal deficiencies to prevent me from progressing and serving. Her light shines forth to me in memories of her numerous efforts on my behalf. 

-Fresh cut cantelope on summer mornings.
-Packed coolers for picnics up the canyon.
-Shelling peas on the patio.  
-Stories, and books, and clothing catalogs. 
-The small pocket size hymnal she sent me the summer I left home at 17. 
-Her gentle and un-provoking look of exasperation and annoyance. One given without undo passivity, but free from guile. Always soon to be followed by her sweet apologetic smile. 
-Tender experiences of touring and weeding her flowerbeds. Listening to the knowledge and care that went into their beauty. 
-Countless quilts and blankets always handmade and carefully considered. 
-The graceful and eventually purposeful movement of her hands and fingers over the keyboard. 
-The loving encircling arms which enveloped her newborn great-grand children
Grandma Jensen holding me as a baby
Grandma Jensen holding my son as a 3 month old
Grandma Jensen a couple days before passing, holding her couple day old great-grandson.
  
My final memory was the one that inspired the following artwork. I completed it in July of 2012, as a gift to her. My grandparents had recently moved from their home of nearly 40 years to an assisted living center. The vantage point was as if you were stepping out onto their deck and overseeing their backyard, garden, pasture, and barn. I never got the opportunity to present it to her, but I gave it to my grandfather after her funeral. The work is entitled "Apples to the Horses." Every week my cousins Leah, and Rachel would bring their children over to my grandparents home. My first son and I would join them every 3rd week. We enjoyed a morning of playing in the basement with blocks, and dinosaurs, books, puzzles, and Kerplunk. I recall my grandmother reading my son Transformers and jokinly showing him how her crippled arthritic hands resembled the mechanical arm of an Autobot. We would prepare lunch and if the weather was conducive we would all walk out to the field to feed apples to the horses through the fence in the neighboring pasture. I drew a picture of the last time my boys and I enjoyed this simple sentimental excursion. I had both my 5 year old and 1 year old with me. My cousin Leah was there with her two young boys. And then there was my grandma. In the drawing I placed a pink halo around her graying head, even in life she was an angel in pink. 


During the completion of my drawing, perhaps in an act of artistic inspiration or premonition, while I was drawing a horse in the field, I changed it to a gunning motorcycle. In the drawing its aerial path barely touches the earth before the rays of light seem to draw it heavenward. As a girl, my father would take us on motorcycle rides in that very field. It wasn't until after her death that I realized that the symbolic representation was likely not that of my girlhood recollections, but that of my late uncle Mark. He was my grandmothers youngest son who had been killed in a tragic motorcycle accident when I was barely two years old. I imagine that he would be the leading candidate for a spiritual escort for her exit from this world. I feel blessed that I had the love and example of such an angelic force for good on this earth.

"Apples to the Horses." Janelle Jensen Fritz. 2012. Charcoal, oil pastels, pencil. 11x14.



Monday, May 20, 2013

Honor Our Fallen

A few weeks back on Mother's Day weekend, my boys indulged the #rockNrollsoul of this #mommaNtheburbs. On our Texas main-street town there is Bronson Rock, a biker-rocker tribute of burgers & beer to the American 'legend' Jim Bronson. (A modern version of the solitary cowboy wandering the American West. Riding a Harley Davidson Sportster in search for soul, on the "Long Lonesome Highway.")

For the upcoming Memorial Day, I'd like to tribute the hot mama muse I met that evening. Black leather, black braids, black boots, a "Thy will be done" tattoo, and a Harley Davidson vest emblem honoring her fallen Marine son. She shared a softness that superseded the "Sons of Anarchy" stereotype, while simultaneously smokin' the hot mama chic with the grace of a "Proud Mother." For this tribute I retrieved three works from my painting "archives."



"Hot Mama." 2010. 11x14. pencil & oil pastel. 


"Veteran:" 'In Flanders field the poppies blow - McCrae.' 2012. 11x14. Acrylics on Canvas.
I composed the work "Veteran" as a magnified representation of the poppy flower. Specifically in memorandum of veterans, as described in the poem; "In Flanders Fields."  I was also influenced by Georgia O'Keefe in painting a precise botanical close-up, with a gust of abstraction, and some war-blown passion. 


In Flanders Fields
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
the larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
-John McCrae (1872-1918)


This work has been adapted from it's original debut. If you click on the link, you can scroll down to the draft version. In the first painting draft I depicted a Texas night sky, in which a large American flag flickered and illuminated the sky through the trees and shadows. In the first draft I used imagery references derived from The Gadsden Flag, and Metallica’s “Don’t Tread on Me”. I usually listen to music while painting, but only on rare occasions do I coalesce the music with the actual work, or imbed the lyrical context into the artwork itself. In this most recent revision I incorporated several lyrical associations. Inscribed on the back of the canvas is

-In God We Trust
Or



  

Wednesday, May 15, 2013

"Sunny Days' at The Plaid Peacock

May 1st marks a momentous annual event here in Texas. Pool season opens. The sun is out, most days, and the water is freezing, but the rays of summer are on the horizon. Pool-time is fun, fleshy, and fruity. I must echo the Weepies as "I was made for sunny days, I made due with grey, but I didn't stay." Literally, on the Decadence-N-decay Art wall at The Plaid Peacock, I swapped out dark shades and black frames, for light hues with white frames. 

All in favor of "Sunny Days!?" This is my abstract expressionist landscape interpretation of summertime. Representations of camping, swimming, lounging, cloud gazing, hiking, gardening, and really, anything along the lines of, 
"Summertime...and the living's easy" -Sublime.

"Sunny Days." Janelle Jensen Fritz. 2012. 18x24. Acrylics on 98lb mix media paper

Fruit is a summertime staple, and our treat standard pool food. Pool-side also brings out the sweet & salty of the bare-it-all-bikini clad flesh feast. This seasons cravings begin with this bronzed-blushing-beauty. Perhaps the first pear-shape you will see this season, but certainly not the last.



"Blushing Pear." Janelle Jensen Fritz. 2012. 15x15. Acrylics & pencil on canvas, framed. $110
 


Tuesday, May 7, 2013

Props to 2 Punk Icons at the Met Gala 2013

Fashion has always been a guilty pleasure of mine. Some would term it a critical necessity to life and free expression. I've followed it as a slave, as a consumer, and more recently as one fascinated by the artistic evolution of the trends and the messages behind them. Slavery to trends are exhausting, but down right lucrative. In certain circles they can be the end-all of whether you are IT or OUT. That in itself is not insignificant. As long as you can discern the messages you are projecting and own them? Then I am a full-fledged proponent, and only think that the "fashion police" are justified in passing judgement or at least calling out those that are in fact, projecting hypocritical messages.

As this is an "art blog", and I'm a self-proclaimed "fashion aficionado", then it only seems appropriate for me to weigh in on the annual Met Gala. The annual who's who bash of  the Metropolitan Museum of Art. Especially as this years theme was "Punk: Chaos to Couture". If that is not "decay to decadence", I don't know what is.

Instead of thrashing the cacophony of hypocrites, I'm going to give props to two punk revolutionaries that I have a soft spot for, and tell you WHY, regardless of what the critics are saying, they stayed true to their creeds.

First, Vivienne Westwood. For those unacquainted? She is the designer lauded as the "cornerstone, style-wise, of the whole punk movement in London." -Many on that red carpet (Marc Jacobs included . Basically? She got stripped of her fashion statement. Which was:
"Her jewelry: A laminated photo of the Wikileaks revolutionary Bradley Manning, attached by safety pins to her pastel robes."
She was given her 15 seconds in the limelight and then shuffled through. What she did have a chance to articulate, before she was cutoff was: 

 "When I did punk all those years ago, [it was about the same thing]: Justice and [trying to] have a better world,” she explained. “I've got different methods nowadays." -the Cut

Nowadays, whenever I hear of Vivienne Westwood, it is difficult not to get nostalgically reminiscent and a bit self depreciating. As I did at one point, own, hot pink Vivienne Westwood leggings. Which I wore to the SLC Hard Rock Cafe in head to toe Cindy Lauper get-up in college. Why I didn't keep those gems? That is a life mystery. I'm on the prowl for pics. I should have know that Vivienne Westwood & hot-pink was keep-worthy. Fourteen years and could've, should've, would've, especially this year, when Anna Wintour Vogue's editor-in-chief, the Met gala medium wore hot-pink Chanel, and said "its the color that symbolizes the punk movement."Oh well, I'll get over it, I do have the hot pink skinny jeans my 2-year-old gave me for Christmas.

The second accreditation goes to one of my personal favorite punk icons. Debbie Harry (aka. Blondie). Apparently she was hosted by Tommy Hilfiger. He is the quintessential All-American designer with an affinity for the nautical-look, so really this makes a whole lot of sense. I figure she was paying homage as she was a nautical-look proponent back in the day. For the Met gala they all appropriately hard-rocked Hilfiger's version of leather & metal. So, in summation, even when "The Tide is High", with floods of wannabe's and wishy-washy attempts that pegged more "chaos than couture." It was encouraging to see that at least the front-running ladies of punk, "aren't the kind of girls that give up just like that."





Thursday, May 2, 2013

"The F-Bomb Week"

"The F-Bomb Week", Acrylics on Canvas, polyurethane, 16*20, Janelle Jensen Fritz

Note: In this post I'm not attempting to play politically (although art is sometimes just that), instead my aim was to capture and project the historical events in the U.S. during the week of April 15th-20th, 2013 through the painting medium. If you are highly sensitive to the actual usage of the f-bomb, then I advise you not click on the adjoining link (F-Bomb), even if it does give an exhaustive chronological assessment of the weeks horrors. 

When a string of unrelated tragedy's occur it's never a great sign. When sequential bombs, blood, and floods just pile higher and deeper as the week rolls out, we approximate 'blue ruin' proportions. The good news is that when you add the colors red (indicative of love), and yellow (representative of Light, loyalty, and energy) you restore a balance that can build up from the ruins. The hope is reconstituting the future to contain the primary elements of joy, peace, and prosperity. 

In the painting "The F-Bomb Week", the viewer confronts two sides of a brownstone building (classical Bostonian architecture.). The left window of the painting depicts the caged in darkness that exists in this world, which often erupts in an explosion of insolvency.  In the right window the force of Light exudes concentrically, thus illuminating and generating connotations of love, life, and liberty. I conjoined the primary colors in the window of Light in a symbolic representation of one of our favorite All-American pleasures...ice-cream. Specifically a personal nostalgic favorite, "Superman Ice-cream", which is red, yellow, & blue. Ice-cream symbolically depicts many facets of the "good", & the prosperous in life. Despite the many explosive and destructive events of the F-Bomb Week, we saw many rise to "Superman" heights in order to rally for righteousness. 

We can continue the pursuit to "get back to the basics" and rebuild. Just as the primary colors signify love, hope, and peace. We can each hone in on our individual circles of influence and extend attributes and attitudes to perpetuate each of these daily basics. Consistent explosions of "light" are often less dramatic than bombs, but the influence is often more substantial.

"The F-Bomb Week" close-up. Superman Ice-cream.




"The F-Bomb Week", Janelle Jensen Fritz, Acrylics on Canvas glazed with polyurethane
ARTIST NOTE: This work was an exercise in the practice of blending together concepts of street art/graffiti art, and comic book illustrative styles, in a traditional paint-on-canvas method. Extensive layers were compiled, including intermittent sanding, weathering, and scraping to expose underlying paint layers. Several layers of polyurethane were applied over-top the acrylic layers in order to give the 'windows' a glassy appearance.