After prepping the canvas, I took the remnants of a casualty souvenir votive holder from a vacation to Hawaii. The votive was a glass one a child had gained access to, it contained sand and sea shells (I'm not really betting that they were actually from Hawaiian beaches). Still my sentimentality fused with my creator mentality, and I decided to grind the sand & shells with a mortar & pestle, and blend them into paint. Mortar & pestle, being the nifty stainless steel one my chemist husband proffered to me. Before I started with the paint & paste procedure, I retrograded into crafty realm & secured the larger shells to the canvas with a hot glue gun. (I'm still not sure if the reference to use of a "hot, glue, gun" should elicit scoffing or applause in the art-world or if it is considered a weapon against the fine arts.)
Next, I used some painting modeling paste added to the acrylic paint & folded in the ground up sand & shells with a painting knife. This worked as an effective adhesive to the canvas. Cooling time, and I was off...mixing paints, mixing pastes, modeling each canvas after one of the miniature still-life's adhered to the canvas, i.e. the seashells that were glued to them.
There were several similar sessions, eventually leading up to this backyard preview, deemed unfinished work. I sincerely apologize for my iPhone photography. It's shameful. But, the process is more for me than anyone else, so pardon the apathy.
All of the sand & shells had been added and utilized. So at this point I switched to acrylic paint, and modeling paste. Followed by a couple more intermittent painting & drying sessions (this basically means days or weeks in which, I just flat out abandon the poor project.)
After I felt that the colors had construed correctly, I then switched to black india ink. I used it with a small brush, to outline the shell features which I had been highlighting and building out, in various colors and layers. After the india ink dried, they were approved for consignment pending the final varnish. Although it gives a bit of a weathered property, I wanted to use shellac to coat the final product. It has been used on furniture for years. I like the way it creates a glazed look on canvas, without concealing the textural properties of the sand & shells.
"Seashore I", and "Seashore II", Janelle Jensen Fritz, 2012, 3-D, multi-media paintings |
These are available at The Plaid Peacock in Roanoke TX. The Plaid Peacock on Facebook
Oak Street really is fabulous if you have never been. Local Texas dining greats like Twisted Root, Babes, and the Classic Cafe, all nestled in a small-town-downtown walkable street lined with contemporary & progressive shopping and treats.